b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.  Related Paintings of Albrecht Durer :. | Feast of the Rose Garlands | Arion | The Martyrdom of the Ten Thousand | Desiderius Erasmus of Rotterdam | Portrait of Hieronymus Holzschuher (mk08) |
Related Artists:
Jerome B Thompson
American Impressionist , 1814-1886
Conrad Faber von Kreuznach
painted Portrait of Johann von Glauburg in 1545
Thomas Hudson
Thomas Hudson (1701 - 1779) was an English portrait painter in the 18th century. He was born in 1701 in the West Country of the United Kingdom. His exact birthplace is unknown. Hudson studied under Jonathan Richardson in London and against his wishes, married Richardson's daughter at some point before 1725. Hudson was most prolific between 1740 and 1760 and, from 1745 until 1755 was the most successful London portraitist. He lived at Deep Cross, Twickenham. Many assistants were employed by Hudson, to help with his paintings. Joshua Reynolds and Joseph Wright were students of Hudson. He retired toward the end of the 1750s.